By Benny Lim Singapore Theatre might have a crisis soon. There seems to be a trend – A lack of trained actors in Singapore. It is pointless to levy the blame on arts institutions or practitioners. It is a collective effort. This short essay aims to highlight this trend.
by Jocelyn Chua While undertaking a course at a certain technological university in Singapore recently, I realized the real meaning of rebelliousness in our sunny non-violent and clean little island.
� Visual by The Theatre Practice 28th September 2006- 8 pm Victoria Theatre By Richard Chua 29th September 2006 Cao Yu once said Fanyi was the stormiest character in the play. Indeed it is. Her eccentricity and capriciousness make her the femme fatale of this Chinese classic. What makes Fanyi a pivotal character in the …
by Fiona SZE-LORRAIN THIS Easter marked Samuel Beckett’s centennial anniversary birthday, one that coincides with Mozart’s 250th. Born near Dublin in 1906. Beckett gained his worldwide authorship when almost half a century later in Paris, he published five critically acclaimed œuvres within a span of three years: the novel Molloy and its sequel, Malone meurt …
