A Singapore writer travelling up to Kuala Lumpur, Malaysia, to catch a theatre production that dealt with Delusion harbouring the idea that theatre in Malaysia was more real than the ones in Singapore was in itself a deluded affair. As if there was a difference between delusion and reality on both ends of the causeway. After watching the production, what the writer said of Malaysia theatre collective, managed by Loh Kok Man, Pentas Project’s The Year In A Word: DELUSIONS was that when artists got all involved in making theatre, the world seemed to stop revolving around them. On the face of it, the writer seems to have given a bad comment, but on closer look, it might prove otherwise, especially through the eyes of a deluded theatre writer.