Theatrex Asia A Southeast Asian Online Magazine that informs intercultural processes in arts and culture.
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2010 Macau Fringe Festival |第十屆澳門城市藝穗節 |Critics Meeting Each Other | 藝評人小聚

November 12, 2010 7:15 PM
Richard Chua
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Hokkaido (Or Somewhere Like That) Festival Residency and Commission by daniel k (aka diskodanny)

September 27, 2010 6:25 PM
Richard Chua
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  • Contemporary Art
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Naturalism in Theatre has its Relevance in Shaping Human Experiences, through Design and Stage Blocking.

September 13, 2010 7:28 PM
Richard Chua
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  • Reviews | 藝評
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The Studios, Esplanade Theatre presents Velocity (Horse, Taiwan) | A Review

May 3, 2010 11:57 AM
Richard Chua
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Velocity, where narratives are non-existent, leaving a concept of speed in movement in the dance space. In Taiwanese dance writer Zhou Zhi-Mu’s ( 鄒之牧) words in her nomination statement for the group in the 2008 Taishin Arts Award (as translated): the work has departed from the traditional narrative structure of dance, boldly using a concept as a hinge to creation, through the use of theatre design, fusing with concept and body, formulating a feast of abstract and realistic images.

  • Reviews | 藝評
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Red Ballerina, by Theatreworks

April 30, 2010 4:50 PM
Richard Chua
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There is no fair review in this world, for it is written by a biased individual, with his/her own aesthetic taste. To review Singapore theatre company Theatreworks Artistic Director Ong Keng Sen’s newest work-in-progress Red Ballerina as a non-event is in itself an uneventful endeavour. For I would be totally missing the point by going on to talk about the execution of the work by actors Karen Tan and Lim Kay Tong. How could I review a work-in-progress? It is not even completed yet. But the performance was presented to an audience, quite many of us actually, not to mention a performance run over the next one or two days. The work spoke to us. To respond to it seems fair.

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Rowell Reading Group, Post-Museum presents Shake Hands with the Devil | Film Study

April 26, 2010 1:00 AM
Richard Chua
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In late 1993, when Lt. General Romeo Dallaire received the call to serve as force commander of the UN mission to Rwanda, he thought he was heading off to Africa to help two warring parties achieve a peace both sides wanted. Instead, he and members of his small international force were caught up in a vortex of civil war and genocide. Dallaire left Rwanda a broken man, disillusioned, suicidal, and determined to tell his story. This is his story.

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Esplanade presents Velocity, by Horse (Taiwan)

April 1, 2010 1:00 AM
Richard Chua
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The basics to dance choreography revolve around understanding the form. For a young dance company like Taiwan’s all-male dance company Horse, it is apt that experimentation should start from there. They have been successful, having won the 2008 Taishin Arts Award Taiwan’s Grand Arts Prize.

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The Emerging Choreographers II | T.H.E. Dance Company

March 18, 2010 11:58 PM
Richard Chua
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It seems that the notion of being Asian is a highly problematic label. For there isn’t one Asia, but many Asias. Unfortunately, in the western stereotypical gaze, there is one. For Asians living in this highly contentious continent called Asia, there are infinite forms of Asia. As many Asians are grappling with cultural preservation, not to mention getting involved in the politics of waging cultural hegemony on each other, how does Singapore stand in this sea of conflicts. Singapore dance company T.H.E. Dance Company, founded by Artistic Director Kuik Swee Boon, seems to be interested in finding an answer to this question.

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